A large portion of Indian storytelling nowadays is shaped by the collision of technology and human emotions. This study uses S.B. Divya's Machinehood (2021), Sujatha Rangarajan's Enthiran (1996), and its film adaptation by S. Shankar Robo (2010) to examine the delicate connections between emotion, artificial intelligence, and digital narratives. Both tales address ethical, poignant, and profound issues about humans coexisting with robots, illustrating how desire, concern, and identity change in code-governed environments. By examining how authors infuse machines with emotions, this study situates such tales within the broader context of India's online writing community. The essay says Indian writers modify notions about emotional intelligence and moral choices in electronics by delving deeply into texts and connecting them to real-world contexts, thus bridging the gap between people and gadgets.