This article investigates the linguopoetic features of the system of symbols in the poetry of contemporary female poets creating within the Khorezm literary milieu. In the course of the study, the works of Gavhar Ibodullayeva, Gozal Begim, and Sayyora Samandar are examined through a comparative-analytical approach, identifying the mechanisms of symbol formation, their semantic layers, and functional load in poetic texts. The article highlights the role of symbols in expressing personal emotions, national and cultural memory, regional poetic thinking, and female subjectivity based on the principles of linguopoetic theory. In addition, the interaction of symbols with emotional-semantic fields, poetic syntax, and cultural codes is analyzed, and the aesthetic and cognitive significance of symbolic imagery in the poetry of Khorezm female poets is substantiated on a scholarly basis.