The article examines the role of realism in modern Uzbek painting, its features and new trends. The soft color gamut, the play of light and shadows, the rhythmic color and the elegant images gave the spiritual depth and a certain sense of historical emptiness. The images in both portraits give the impression of a person who is free from the worries of life, who is not wrapped up in the small worries of life, who is not affected by random changes, who is not given to transient emotions.